Shutterstock outdid themselves with this year’s superb 2020 Creative Trends Report. HIGHLY RECOMMEND. I’ve been tracking their visual trends since 2015 and every year has been spot on. This year, however, they’ve taken it to another level.
This data-led report predicts image, video and music styles that will dominate marketing campaigns, advertising creative and video projects throughout the year
Shutterstock hosts over 300 million images, and 16 million video clips, which are utilized in a range of ways across the web by marketers, artists, advertisers and more.
And big thanks to Social Media Today for getting this on my radar. And I agree with them 100% when they say:
IMPORTANT: My trusty laptop is being taken in for battery repair today. I’ll be offline for about a week. In the meantime, Happy New Year, Happy New Decade. I’ll be back in your inbox in 2020!
I’ve traveled far and wide over the last decade and seen some phenomenal art. I’ve whittled down my favorite exhibitions to these ten. Each has had a major impact on me, from giving me the spiritual chills to total freak-out awesomeness.
There was also a seminal development in 2010 that has changed the art world forever. Can you guess what it was?
Virgil Abloh, artistic director of Louis Vuitton’s men’s wear collection, clearly loves a good colorful pop-up. He did a fabulous one on the Lower East Side for his FW19 Collection and has now taken it to the next level with this futuristic “residency” for his 2054 capsule collection.
If Abloh’s got it right, LVMH’s future is shiny, bright and iridescent.
This 14–piece capsule collection has been designed to illustrate how we will be dressing in 2054, i.e., 200 years after Louis Vuitton was first launched in 1854.
The line is built around military-inspired performance wear pieces, including parkas and sneakers. Everything is multi-purpose, e.g., cargo pants with multiple removable pockets. Abloh also pays homage to Vuitton’s travel history with signature pieces, including cross-body bags and duffles that roll out to become sleeping bags.
The pop-up is located at 122 Greene Street (corner of Prince). It soft-opened a week ago but the “official” opening is December 6. When I was there yesterday morning (November 21), it was totally chill, no insane lines.
It’s worth checking out anything Abloh does. He has become a major figure in the design/retail world. His artistic vision is single-handedly altering how we perceive luxury and streetwear – especially for men. And he’s done wonders for Vuitton’s image. The brand is attracting younger shoppers and has become increasingly relevant and aspirational during his short stint at the creative helm.
Ultimately, it will be about the bottom line. Only time will tell.
The stress seems to be taking a bit of a toll on Abloh. In September he announced that on doctor’s orders he was taking a three-month medical leave and working from home.
Scroll down for more including photos from Vuitton’s summer pop-up on Rivington.
I saw my first blinged-out big rigs at a Truck and Tractor Parade in Wisconsin years ago. Since then, I’ve gotten turned on to car mod culture (and “Pimp My Ride” way back in the day) but I’ve never seen anything like these Japanese Dekotora Trucks.
Dekotora culture is not new.
Dekotoras began in the ’60s in poor Japanese fishing villages. Salty water turned already decrepit trucks, used to deliver fish, into colanders. To keep those delivery trucks running, the fishermen patched up their vehicles using whatever materials they could get their hands on.
As time went by, the embellishments got a little fancier and patched-up trucks became cool. Everyone started covering surfaces to the max with as many patterns and murals and light fixtures as possible.
Check out this link for more info on the true origins of this subculture.
Dekotoras really took off in the ’70s
In 1975, Toei, a Japanese film company released ten comedies called Torakku Yarō (Truck Guys) which featured a trucker driving a decorated truck all over Japan. The movies were a hit and soon dekotoras were showing up in video games and as toys.
In the late 1990s, interest in dekotora got a second wind as the art of Gundam (Giant Robots TV series) influenced the art and design of a new generation of trucks.
While there used to be thousands of dekotora trucks, today there are only about 500-600 left. I’m not sure exactly what happened but the Japanese police have been cracking down on dekotoras for any and all deviations from the standard. Also, perhaps it’s money. These trucks often cost the equivalent of $100,000 to deck out.
What I find interesting is the cross-over between the tuner crowd and the dekotoras. Many of the best posts on Instagram are from Supra fanatics who appreciate the grand scale of the modifications made by the truckers. I’ve also noticed that bloggers often refer to dekotoras as “tuner trucks.”
scroll down for pics of some of the coolest trucks.
I just watched a great segment on PBS about the Rural Arts and Culture Summit held last month in Grand Rapids, Minnesota. Totally “got it” since many of my coolest trips have been to rural towns with amazing art scenes, e.g., Donald Judd’s Chinati Foundation in Marfa or Bombay Beach by the Salton Sea in California.
Who’s joining me this year at the Balloon Inflation event on Manhattan’s UWS on Wednesday, November 27th from 4-7pm?
As many of you know this is one of my favorite “insidery” things to do in NYC. I’m there every year, rain or shine.
and This year will be major!
Yayoi Kusama, one of my favorite artists, has created a special balloon for the 2019 Thanksgiving Day Parade.
I saw the KAWS art balloon in 2012 but had not been aware it was part of the Macy’s Blue Sky Gallery Series (founded in 2005 to highlight contemporary artists). The Kusama balloon will be the eighth in the series and the first by a female artist.
Kusama’s participation in this year’s Thanksgiving Day Parade kicks off a massive year for the 90-year-old artist.
She has a show of new work opening at David Zwirner Gallery in Chelsea on November 9. Expect lines around the block to see the debut of her new Infinity Mirrored Room. They’re anticipating over 100,000 people will be standing in line at some point to see it. Instagram will be blowing up. The show at Zwirner will be followed by a major installation at the Bronx Botanical Garden called Cosmic Nature. It is scheduled to run from May 9 – Nov 1, 2020. Pretty sure it will be breaking all attendance records for the Botanical Garden.
Scroll down for highlights from Balloon Inflation over the last several years.
This was the first Marathon Reading Program I’ve ever attended. It was fantastic. Seven interviews spanning four decades and a diverse range of critical voices. When Fran Lebowitz came to the mike to do the seventh (and last) reading, I was shocked to realize three hours had flown by.
Donald Judd has been one of my favorite artists for years. I’ve made the pilgrimage to Marfa to his Chinati Foundation (mindblowing) and have also taken the Judd Foundation tour of his former home and studio in Soho (a must-see if in NYC, book online).
I also discovered, belatedly, that there is a documentary film that was shown Friday night in conjunction with the reading. I believe it was The Artist’s Studio: Donald Judd by Michael Blackwood Productions which is available on Amazon, Roku, and Apple TV. It’s about 30 minutes long and an absolute must-see if Judd is of interest to you. Trailer below.
Scroll down for more on the reading and the participants. PLUS trailer for the Judd documentary.
I first wrote about how cool portraiture was getting back in 2017 after I had seen the Alice Neel show curated by Hilton Als at David Zwirner. The Times and I had a major disagreement about it!
I also wrote at the time that the Neel show would kick off a trend to small-scale portraiture – and especially to portraits that include a more diverse array of people. I was absolutely right about everything except “small-scale.” The new portraiture is anything but small, it’s outsized in every way. And why not?
While there has always been a market for portraits, e.g., Elizabeth Peyton’shave consistently been top sellers, interest in portraiture exploded after the Obama portraits were unveiled in early 2018 partly because the art world loves the Obamas but also because of who they picked to paint them..
Full credit for making portraiture newly exciting has to go to the group of black artists who are working at the forefront of this genre. Artists like Kehinde Wiley (Barack Obama portrait), Amy Sherald (Michelle Obama portrait), Jordan Casteel, Kerry James Marshall, and Henry Taylor among others.
Henry Taylor’s current show at Blum & Poe in NYC was the inspiration for today’s post. “NIECE COUSIN KIN LOOK HOW LONG IT’S BEEN” will be up through November 2nd. I’ve heard that “everybody” now wants to be painted by Henry Taylor.
The show also includes a fantastic large mural that Taylor completed while at Black Rock, Kehinde Wiley’s art residency program in Dakar, Senegal.